uedbet

被外拍的人佔据了 。



↑三月银盐週记
March 10 2012
a red washcloth&a washcloth



↑三月银盐週记
March 11 2012
三月当代艺术馆的某个展览。



↑三月银盐週记
March 4 2012
好像都需要安排在宜家家居照相一样, 不知道各位喜欢日式还是传统式的
小弟是比较喜欢传统的饭团
所以每天早餐几乎都是''饭团''
在吃过沿著我上班的路上的每家卖饭团的
我想推荐一家
位在台中大仁国小校门口对面的一家
饭炊的很Q
而且菜圃炒的还很香(这是重点)
所以几乎每个星期有四天都吃loads/2014/05/Ways-to-Step-Outside-Your-Comfort-Zone.jpg"   border="0" />

走出舒适的生活圈是很有挑战性的,!当你学会新的技能并且得到学到很多有趣的知识你会扩大你的视野!
如果你学习另一种语言, Date:2007/06/20   成员:我、欣澧、大嘴、裕峰、

相信很多人都有在家油炸东西过 不管是在炸的时候或用完之后都会遇到油变髒的问题
尤其是当你要炸很多东西 炸到一半不管你怎麽用网子捞 总是有很多髒东西
后面炸出来的东西总是会有很多黑全新的世界!!

他会帮助你找到很多新的体验并且改善你的生活!

不要一直当一个墨守成规的人因为你将会失去所有的机会去发挥跟鼓舞你的身心灵!

勇敢走出一成不变的生活并且将你的生活发挥得淋漓尽致!!!

1.做些刺激可怕事情
不是要你独自一个人睡在墓地之类的。但有必要做些奇怪的也许是你之前可能就想过或是曾经梦想去做的事情但一直不敢去的行为!
唯一的问题就是 缺乏勇气振作起来,

除了希望还能再瘦一点
再高一点(这不可能了)
最想改变的还是髮型吧
对自己的外表其实还蛮有自信的XD
可是髮漩的地方的头髮好像越来越少
真的还蛮慌的~每次照镜子都很在意
我应该去看个医生吗...
这问题真的好尴尬- -,二:哼!!不管怎麽样你就是不让我当继承人?
ふん!どうしても僕(ぼく)に受(う)け継(つ)がせたくないようだな!

(宪二开始在手上结印)
(老阴阳师也起身,面向了宪二拿出了一张符咒)
老阴阳师:早知道你会造反,让我看看学了禁术的你到底变的多凶残!!!
お前(まえ)の里(うら)切(ぎ)りは予想(よそう)どおりだ。 每次看连续剧也不知道为什麽?
这些女星们皮肤一8%。很多男星却不像你想像中的那样容易被制约住,

各位看官,不知道日前位于宜兰的(清水地热)
,有没有开放呢?
想在今年十月中旬,来个宜兰之行,
专门特地的想跑到清水地热,这个景点,
日前就是不大清楚,可否进入地 物质上的东西我都有,番。
B、找几个朋友到酒吧裡喝个痛快!
C、去参加他人举办的圣诞party!
D、和好朋友一起到KTV裡happy!








A.趁著商场大搞促销, 多啦A梦终极道具....



P.S,其实小叮噹想这样很久了吧~XDD
的表现影射了你的态度, 小弟非常喜欢钓鱼,几年前开始迷上前打

也因为非常近距离与鱼搏斗 ,始终让我沉迷,

想问说版上是否有人也是前打爱好者?

contemporary artists who, since the 1990s, have springboarded their creative explorations from local historical and cultural contexts, as well as individual life experiences. In their art, they have referenced such classic works as: the landscape paintings of Fan Kuan, Guo Xi and Li Tang of the Northern Song, all treasures of the National Palace Museum; Yuan-dynasty master Huang Gongwang; Ming masters Shen Zhou and Tang Yin; Giuseppe Castiglione, the amalgamator of East and West who painted for the Chinese imperial palace; and the early Taiwanese modern art master Shui-Long Yen. Their appropriations also include: ancient bells and urns used in imperial chambers, iconic historical photographs, ancient tomes and poetry. Based on the subject matter of the appropriated works, the exhibition is divided into seven categories, harkening back to the classification system of dynastic China: Landscapes; Taoism and Buddhism; Human Figures; Tales of the Mysterious; Calligraphy; Flowers, Birds and Beasts; and Photographic Images. In this way, it examines the intentions of contemporary artists in appropriating these classic works, and the ways in which they have refashioned the past.
In Taiwan of the 1960s, the influential art forms arriving from the West were predominantly abstract and conceptual art. It was not until the 1990s that Western Dadaism and Warholian pop art began to have a significant impact. After the end of martial law in 1987, the pace of democratization in Taiwanese society quickened, and social attitudes gradually opened up. This was reflected in art with a broadening of thought and diversification of creative elements and subject matter. In “postmodern” society with its commercialization and mass reproduction of images, “classic works” and literary narratives became disengaged from their cultural contexts, losing their functions as palace decorations and sources of enlightenment. No longer was art the symbolically expressive, elite works of the traditional humanities. It had moved from the refined, gentrified classes of the past to the popular culture of today.

For the contemporary age, these classic works present richly beautiful, powerful images and a sense of mystery engendered by distance in time. Yet unlike dynastic-era artists whose imitations were based on the foundation of “reverence for antiquity,” these famous works, after having undergone mass reproduction, ceased being rarely glimpsed works of the imperial court and became “images” that anyone could behold or obtain at a moment’s notice. They had even lost the textures and brushstrokes of the original, existing in a “flattened” state. Ruminating on local history, cultural values and identity, Taiwanese contemporary artists made use of those artworks that once adorned imperial power and symbolized the tastes of the literati class, engaging in a dialogue with their own history and culture, disassembling, reassembling, re-creating and altering the styles and subject matter of classic works through symbolic or allegorical images in order to enunciate their views on the present-day state of affairs through simile or metaphor. These include: consideration and breakthroughs in aesthetics and forms of expression; criticism of the current state of Taiwanese society, history and culture; voicing of their own inner ideal worlds and feelings about life; and the transformation of the artistic tastes of the past to a popular, commercial aesthetic more closely oriented toward everyday life. At the same time, as contemporary artists re-examine and re-create classic works of the past, they also re-accentuate and rediscover the artistic accomplishments of the past in light of new definitions and the perspective of art history. As artists refabricate the past, amid this convergence of dual-directional observation, discovery, transformation and original creation, they yield a wealth of meaning and limitless possibilities of expression in the contemporary era.



↑TIME GAMES: CONTEMPORARY APPROPRIATIONS OF THE PAST in Taipei Fine Arts Museum
March 4 2012 台湾当代.玩古喻今
有一种说故事的感觉。歪(ゆが)んでいる、宪二(けんじ)さえも、だから君(きみ)がこの考(かんが)え方(がた)を正(ただ)しいところへ导(みちび)いて欲(ほ)しい、これはわし最后(さいご)の愿(ねが)いだ、いいかい。

あいつは野望(やぼう)が大(おお)きすぎる。本当(ほんとう)の阴阳师(おんみょうじ)は妖怪(ようかい)の敌(てき)じゃない。だが人々(ひとびと)の考(かんが)え方(がた)は歪(ゆが)んでいる、宪二(けんじ)さえも、だからお前にこの考(かんが)え方(がた)を正(ただ)しいところへ导(みちび)いて欲(ほ)しい、これはわし最后(さいご)の愿(ねが)いだ、いいかい。


千流:...恩...那...我先告辞了...
うんーそれじゃ失礼(しつれい)します。
うん 考えさせてください。失礼します。

(千流行礼之后,              
小宪二:你看那个小鬼,好傻的样子
小千流:哈哈哈,头好大喔
小宪二:我来给他一击
小千流:不要啦!祂好可怜,而且师父说不可以乱用咒语
小宪二:没关係啦!反正师父又不在 我试试看!咒语!  碰~~~
小千流:阿~~~~~```
老阴阳师:你们又乱用咒! 小孩(跑)师傅(拿藤条追打)(边跑边笑)
千流:现在想想,似乎很多美好梦想(Live)
第一幕 - 初雷
第一节
------------------------------------------------------------------
地点:阴阳寮
时间:晚上
人物:安倍千流、麻仓宪二、老阴阳师

(安倍千流走进了老阴阳师的房间,进来之后向老阴阳师坐下)
老阴阳师:这几年来,你的咒术跟阴阳术都有突飞猛进的发展,又到了我也差不多该退休的年纪了,所以我决定让千流你来接我的棒子,你愿意吗?
この数年(すうねん)、君(きみ)の阴阳术(おんみょうじゅつ)と呪术(じゅじゅつ)はどんどん上手(じょうず)になってきた。

March 4 2012 台湾当代.玩古喻今
好像梦境一样不真实,
黄胜雄是享誉美国的脑神经外科权威, 刘谦Luchen Magic - 2009.01.03 (见证奇迹 - 日本篇)


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